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niemeyer's AHA! event - by tradition current

—  March  2000  —

 

“ The  Fable  belongs  to  the  Artist

as  to  the  Poet ,

and  one  lighted  the  other’s  Light ”

Christian  Ludwig  Hagedorn

(Views on Painting), 1762, vol. I, p. 36

By his fables worked in the mixed technique of etching & engraving in the size of ca. 33.5 x 25-26 cm and published about 1744 and (those rarest sheets 17-20 transferred to the plate by the eldest, Martin Elias, 1730-1780) after 1767

“ … Ridinger pursued a typical purpose of his epoch. A ‘Correction of Manners’ by the morale efficacy of art  William  Hogarth , almost of the same age as Ridinger, had tried – though in a quite different way – by his paintings and prints … But while Hogarth and Chodowiecki tried to gain recognition of their (same) ideas by satirical sets as ‘A Rake’s Progress’, 1735, … Ridinger tied up to the tradition of the animal fable (that is, so he himself, ‘since the hoary times of the ancient ages’) as especially suitable to him ”

(Stefan Morét, Ridinger Catalogue Darmstadt, 1999, page 96).

Beyond it at the same time, too, creating a new image type, leaving, once more, tradition and field behind himself. For, so Ulrike Bodemann in Metzner-Raabe,

“ No  similarity  to  fable  illustrations  known  hitherto .

Enormous image sizes filled almost entirely by the representation of a central factor of the fable tale. Surroundings mostly dense, natural wood .”

And Regine Timm, ibid., vol. I, p. 171 :

“ In his large plates Ridinger … sometimes has included vegetable growth or rocks, too, dominantly in his illustrations indeed, but without decorative intention. The plants and rocks mean the thicket, the deserted loneliness of the forest, in which the strange tales among the animals happen. ”

The great intellectual relationship with the already mentioned Hogarth by the way also unmistakably expressed in Garrick’s epitaph for this:

“ Whose  pictured  Morals  charm  the  Mind ,

And  through  the  Eye  correct  the  Heart.”

Chronologically interesting in this connection interesting that on the other side of the channel in 1726 John Gay, famous-notorious for his “Beggars Opera” (Brecht, Threepenny Opera!), by his “Fables” had laid before “the most important achieved hitherto by English poets in this kind” (Meyers Konvers.-Lex., 4th ed., VI, 960/II).

Ridinger’s fable image then also a most highly important milestone within the “basic corpus of about 900 editions of illustrated fable books” up to Chagall’s Lafontaine folio with its 100 etchings worked 200 years later as downright a glaring light for the immortality of the fable illustration.

I am glad to be able to present some of these in the fine qualities as usual here. Especially, too, to spread the thoughts of the “most reasonable teachers of wisdom” resting within. But also, much more prosaic, just as an occupation stimulating mind and sense :

Visual  Joy  and  Depth  at  once .

 

Johann Elias Ridinger, Cautious Prudence overcomes Malice

Cautious Prudence overcomes Malice! The fox posing as a scholar vainly tries to dupe the cock. This himself in the richly composed poultry yard with, amongst others, peacocks, turkeys, goose from Astrachan, Turkish ducks. – Thienemann + Schwarz 765. – Plate 1 of the set. – See the complete description.
Offer no. 12,502 / EUR  445. / export price EUR  423. (c. US$ 546.) + shipping

 

Obstinacy of Marrying follows Bitter Repentance. The magpie fallen for the eagle-owl and now exposed to the rooster’s shrill reproaches while the cock pigeon and the “bold, powerful noble-falcon” are thinking the best. They all had been courting vainly. The symposium itself in tight forest. – Thienemann + Schwarz 770. – Plate 6 of the set. – See the complete description.
Offer no. 12,495 / EUR  562. / export price EUR  534. (c. US$ 690.) + shipping

 

The Revenge of a Humble on a Mighty is detrimental. The Elephant on an educational journey through Europe once accidentally hurt a pertness little fox what the whole species intended to punish the colossus for. But all too soon “the army had been pulverized”. – Thienemann + Schwarz 771. – Plate 7 of the set. – See the complete description.
Offer no. 12,505 / EUR  649. / export price EUR  617. (c. US$ 797.) + shipping

 

Pride despising others will come to naught by itself. A peacock shows off with his plumage scoffing at a beautiful rainbow and gets unanimous approval by jay, waxwing, woodpecker, and many others more. Then a marten teaches them all vain transitoriness. – Thienemann + Schwarz 772. – Plate 8 of the set. – See the complete description.
Offer no. 12,506 / EUR  496. / export price EUR  471. (c. US$ 608.) + shipping

 

Johann Elias Ridinger, The Age without Mind becomes contemptuous by childish Expression

The Age without Mind becomes contemptuous by childish Expression. The billy-goat behaves himself that silly about being elected by the animals as deputy because of his large beard that he “stirs up partly laughter, partly annoyance. This the artist presented excellently. The badger is rolling with laughter, the stag, the horse, the fox laugh him to scorn, the tiger, the striated hyena and the lynx become aware of the foolishness of their election and revoke it. And the monkey points at him with his fingers” (Thienemann). – Thienemann + Schwarz 773. – Plate 9 of the set. – See the complete description.
Offer no. 12,507 / EUR  588. / export price EUR  559. (c. US$ 722.) + shipping

 

To get a bright Wit into a heavy Corps is impossible. Casuar and ostrich asked the eagles for the plumage of one of their deceased so that they also could fly, but suffered airwreck “as all fools”. – Thienemann + Schwarz 774; Cat. Darmstadt IV.9 with illustration. – Plate 10 of the set. – See the complete description.
Offer no. 12,508 / EUR  504. / export price EUR  479. (c. US$ 619.) + shipping

 

Malicious Flattery is finally disclosed and defeated. Two dogs, a little monkey, tom-cat, and parrot populate the room of a rich idler. Then to the dismay of the others the tom-cat forgets himself and cajoles the plumage of the peacock. Later the tom-cat has to die. – Thienemann + Schwarz 776. – Plate 12 of the set. – See the complete description.
Offer no. 12,509 / EUR  476. / export price EUR  452. (c. US$ 584.) + shipping

 

Johann Elias Ridinger, Splendour and Grandeur makes no one brighter

Splendour and Grandeur makes no one brighter. A monkey poses as the throneworthy and stag, billy-goat, bear, wolf, hare, Ridinger-hound, and other honest mammals are content with it. But the cunning fox lets the tom-cat become the seducer and the monkey “quite ridiculous to all”. – Thienemann + Schwarz 777. – Plate 13 of the set. – See the complete description.
Offer no. 12,510 / EUR  562. / export price EUR  534. (c. US$ 690.) + shipping

 

The Innocence is saved often through the Hatred of the Evil. An owl once cheated by the fox warns “a flock of wild geese” to praise the death of the fox as guaranteed. – Thienemann + Schwarz 781. – Plate 17 of the set. – Worked by Martin Elias as the first of the four rarest sheets of the set. – See the complete description.
Offer no. 12,511 / EUR  946. / export price EUR  899. (c. US$ 1161.) + shipping

 

Servitude taken up for Love of Splendor one shall endure with Patience. A stag of 12 ends subjected himself to the toil of a sumpter-horse for the fine bridle. “Thus suffer with patience” a badger comments. – Thienemann + Schwarz 782. – Plate 18 of the set. – Worked by Martin Elias as the second of the four rarest sheets of the set. – See the complete description.
Offer no. 12,512 / EUR  946. / export price EUR  899. (c. US$ 1161.) + shipping

 

Foolish Conceit about foreign Beauties deserves reasonable People’s Contempt. Zebra, monkey, and parrot travel in a country of which they suppose that foreign things were highly estimated there. Accordingly they boast themselves in view of horse, cow, and sheep. And see themselves confronted with reasonable opinions. – Thienemann + Schwarz 783. – Plate 19 of the set. – Worked by Martin Elias as the third of the four rarest sheets of the set. – See the complete description.
Offer no. 12,513 / EUR  915. / export price EUR  869. (c. US$ 1122.) + shipping

 

The Innocence suppressed by an Invent Pretext. A hare escaped from three hounds onto a rock falling a victim to a wonderfully feathered falcon swooping down. – Thienemann + Schwarz 784. – Plate 20 of the set. – Worked by Martin Elias as the fourth of the four rarest sheets of the set. – See the complete description.
Offer no. 12,514 / EUR  1007. / export price EUR  957. (c. US$ 1236.) + shipping

Johann Elias Ridinger, The Innocence suppressed by an Invent Pretext

 


 

“ I am pleased to inform you that I received the book in good order and it is very beautiful, I have looked at it now many times and it is very useful for my studies. ”

(Mevr. E. E., June 29, 2002)