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lüder h. niemeyer

- since 1959 -

 

One of those “Eyeballs of Bibliophiles …
actually  too  precious  to  be  read ” (Frankfurter Allgemeine Zeitung 1-26-08)

The  Baron’s  No. I

of  the  Two  Roman  Numbered  Copies  only

in  Vellum

as  the  Exquisite  Document  of  a  Great  Culture  of  Collecting

Ridinger – von Gutmann – Schwarz, Ign(az). Katalog einer Ridinger-Sammlung (Catalogue of the Gutmann Ridinger collection). 2 vols. Vienna, author’s edition, 1910. 4to. XX, 210; XI, 169 pp. With (inside the text put on over those which were already printed along with the text as generally for the Arabic numbered copies)

numerous  mounted  illustrations

+

118  mounted  plates ,

6  of  which  in  colours  +  1  double  full-paged .

Finely richly gilt orig. calf-vellum on 5 ribs with two dark red back plates and equal floral ornaments with gilt lines in the free fields, even

gilt  capital  ribbons ,

twofold double line floral corner pieces at the inner and rosette in the outer square resp., all in gold, the

gilt  stamped  supralibros  of  Baron  von  Gutmann

along  with  device

Rudolf Ritter von Gutmann, Catalogue of a Ridinger collection: Copy I/II (coat-of-arms supralibros)

“ Semper  Progrediens ”

on  all  four  covers ! ,

marbled fly-leaves à la Pompadour parts of Gutmann’s legendary Marjoribank Folios in marbled orig. slipcases lined with Moiré. Gilt edges.

Ignaz Schwarz, Catalog of a Ridinger Collection (Von Gutmann Collection)

The  inaccessibly  elitist

no.  I / II  copies

in  adequate  vellum-volumes  of  bewitchingly  simple  elegance ,

accompanied  by  a  unique  pedigree ,

the covering letter of 6th September 1951, with which the antiquarian bookseller Robert Alder in Bern sends the copy on behalf of Mr. von Gutmann to Mrs. Dr. Waeckerlin in Zurich.

Catalogue of a Ridinger Collection: Copy I/II

Printed  as  manuscript

in only 202 copies, 200 of which numbered Arabic with the illustrations printed together with the text and only bound in interim wrappers. The two Roman numbered printed on parchment-like paper only, thus not “on parchment” according to the imprint. This private edition, accessible by 6 (!) indices, is

the  noblest  curtsey  of  literature

to  the  master’s  œuvre ,

a  defilé  right  across  the  work  filled  up  with  illustrations ,

the  indispensible  definitive  catalog

beside  Thienemann  and  beyond  him.

And  with  the  no. I  of  two  ones  only  just  a  bibliophile  non  plus  ultra .

Worked by the doyen of the Viennese antiquarian booksellers and dedicated

Rudolf Ritter von Gutmann, Catalogue of a Ridinger collection: Copy I/II (dedication to his mother)

“ in  loyalty  to  (his)  mother ”

by Rudolf R. von Gutmann. – Slipcases minimally rubbed, the backs of the volumes themselves faded to a fine white, apart from that

shining  in  almost  impeccable , untouched  freshness .

With 1606 leaves graphic + 12 Roman numbered drawings a fullness of items unknown to or unconsidered by Thienemann. That are 15 etchings + 126 (sic!) mezzotints , 23 variants , 2 additional portraits , 53 leaves after Ridinger + 51 (47 by Rugendas, 4 by his son Johann Jacob) published by him. In addition to this developed after scholarly criterions by comprehensive indices: initial words / artists / publishers / chronology / persons / topography. The numbering follows Thienemann.

Rudolf Ritter von Gutmann, Catalogue of a Ridinger collection: Copy I/II (title backplates)

Rudolf Ritter von Gutmann, Catalogue of a Ridinger collection: Copy I/II (volume backplates)

Rudolf (1880-1966) was the 2nd son of Wilhelm Baron von Gutmann and his wife Ida, née Hungarian baroness von Wodianer, whose sister Rose Anna on her part was married to Jules Porgès, one of the legendary African diamond randlords. Together with his elder brother Max they were heirs of the immense industrious and commercial assets, partly going back to the Austrian Rothschild line. Later he went to Vancouver. “So far away from Hitler, as far as ever only possible” (H. P. Kraus).

A part of all this intellectual and economic brightness the

no. I  as  the  formerly  personal  copy  of  the  baron  reflects .

It’s  an  absolute  édition  de  luxe  for  your  show-case .

Offer no. 28,886  /  price on request

 


 

“ Just received the James Figg item safely today. I have a couple questions. Art in general is new to me so I‘m asking you to educate me on this item … First of all I‘m happy with the item, just trying to understand it better … Thanks again ”

(Mr. A. C., March 27, 2008)