Utterly Undescribed 3rd Version of the
Founder of the “Minims”
who in the Age of Ridinger saw their Zenith
Johann Elias Ridinger (Ulm 1698 – Augsburg 1767). St. Francis of Paula, founder of the monastic order of Minims closely connected with the “grey” Franciscan friars, as half-length figure in brown habit to the left. Looking up trustingly, the right presses a sheet with the inscription CHARITAS against the chest while the left holds the knotty stick as symbol of the wandering mendicant. Mezzotint. Inscribed: Ioh. El. Ridinger excud. Aug. V…(ind.). 24⅞ × 17¾ in (63.2 × 45.2 cm).
“S. FRANC. DE PAVLA / FVND. ORD. MINIMOR. / Ordinavit in me Charitatem.
Cant. 2. Cap.”.
within the mussel plate of the wood emboss and the inscription of the sheet “CHARI=TAS” in two lines; 20¼ × 16⅝ in (51.6 × 42.3 cm) & Schwarz (1910) “1416 ?” as second described version before the letter, besides CHARITAS in one line and “excud.” instead of just “exc.” with Th.-St. 1416 and because of its larger size of 28¾ × 21⅞ in (73 × 55.7 cm) moreover stating “With respect to the measures diverging from St. … hardly identical with 1416”.
Following then the one here not verifiable elsewhere as now third described version , itself before the inscription in the mussel plate and like the second one with Baron Gutmann (Schwarz) with single line CHARITAS & “excud.” as supposedly also its … “Vind.”, of which here after restoring only a moreover deformed “V” remained, see below.
As with the letter the Stillfried version has to be considered the last one, which in addition is supported by its smallest format as determined for the general use. In analogy to this the Gutmann/Schwarz version as the largest one would be the first and present medium format the second.
As a whole thus not in Thienemann (1856) , Weigel, Art Stock Catalog I-XXVIII (1838/57) , Silesian Ridinger collection at Boerner XXXIX (1885; item 2029 there then recte Th.-St. 1415) , Coppenrath collection (1889 f.) , Reich auf Biehla (1894) , Gg. Hamminger (1895) , Helbing XXXIV (Works by J. E. and M. E. Ridinger; 1900) , Schwarz (1910; see above) , Rosenthal, Ridinger list 126 (1940).
With watermark WANGEN (center) as standing for contemporary impressions and large crown below. – With white margin 1.5 cm wide all round as indeed worth mentioning with the particularly large old mezzotints. – Generally only slightly age-marked, yet beside various smaller margin injuries two larger tear-offs at both the two lower corners outside the subject, on the right indeed under loss of the “Vind.” finishing the inscription, yet all of which restored professionally up to almost imperceptible re-drawing of the hatching and utterly smoothed center fold. The print itself quite fine.
The rarity of present very beautiful motif – worked certainly in acquaintance with the oil by José de Ribera (about 1590 – Naples 1562) in the Vienna Belvedere Gallery etched/engraved by Anton Joseph von Prenner (Wallerstein 1683 – probably Vienna 1761) in 1728/32; compare also with the supposed Ribera picture in Petersburg Kagané (1997) 99 with illustrations – preprogrammed by the way as according to expert Sandrart (1675) the technically conditioned extremely fast wearing off mezzotint plate permits 50-60 good impressions only.
Present one then neither in the Dresden print room consulted by Thienemann as indeed discovered and described for the first time but 20 years later by count Stillfried. And may the by now three versions documented here have been intended for three different clienteles, so at the same time they represent Sandrart’s imaginably smallest possible number of copies, the necessitation of painstaking and by this expensive production of new plates in case the market requires more, as the rule for the images of saints and thesis plates subjected to consumption increasing their scarceness. And last, but not least for the exciting motivation of the collector intent on completeness and pursuing this with a bloodhound’s passion.
Offer no. 28,900 / price on application